Peggy Noonan...

...om "The origin of the New Year's anthem — and what it means to us":

You know exactly when you'll hear it, and you probably won't hear it again for a year. The big clock will hit 11:59:50, the countdown will begin—10, 9, 8, 7, 6, 5, 4—and the sounds will rise: the party horns, fireworks and shouts of "Happy New Year!"

And then they'll play that song: "Should auld acquaintance be forgot and never brought to mind? Should auld acquaintance be forgot, and days of auld lang syne?"

It is a poem in Scots dialect, set to a Scots folk tune, and an unscientific survey says that a lot of us don't think much about the words, or even know them. The great film director Mike Nichols came to America from Germany as a child, when his family fled Hitler. He had to learn a lot of English quickly and never got around to "Auld Lang Syne": "I was too busy with words like 'emergency exit' on the school bus," he told me. "As a result, I find myself weeping at gibberish on New Year's Eve. I enjoy that."

The screen and television writer Aaron Sorkin, who this year, with "The Social Network," gives Paddy Chayefsky a run for his money, says that every year he means to learn the words. "Then someone tells me that's not a good enough New Year's resolution and I really need to quit smoking."

"Auld Lang Syne"—the phrase can be translated as "long, long ago," or "old long since," but I like "old times past"—is a song that asks a question, a tender little question that has to do with the nature of being alive, of being a person on a journey in the world. It not only asks, it gives an answer.

The question it asks is clear: Should those we knew and loved be forgotten and never thought of? Should old times past be forgotten? No, says the song, they shouldn't be. We'll remember those times and those people, we'll toast them now and always, we'll keep them close. "We'll take a cup of kindness yet."